FAS

Hands-On Learning Through Objects


image of Ewa Lajer-BurcharthEwa Lajer-Burcharth, William Dorr Boardman Professor of Fine Arts, is an art historian who focuses on 18th- and 19th-century European and contemporary post-1970s art. Lajer-Burcharth uses physical objects – such as paintings, sculptures, and textile arts – to enable more immersive forms of learning that enable students to experience objects of study in a hands-on way that is not possible with text-heavy teaching methods. These objects serve as a primary teaching tool for encouraging new perspectives and interrogating original sources. Students examine various objects from museum and library collections under the expert guidance of curators, and eventually assist in the curation of an exhibit. This allows students to have hands-on experience in both understanding and creating, rather than be solely trapped by reading and speaking.  While her courses use physical objects as a point of reference, similar opportunities exist in other classroom contexts where students can contextualize the motivations of authors, musicians, and inventors, for example.

Empowering students to practice essential learning strategies


image of Brendan KellyThe debate over assessments—their frequency, structure, and value—has become more vibrant in recent years, first with the onset of COVID-19 and now with the advent of Generative AI. As instructors experiment with different approaches, the Math Department has increased its emphasis on assessments, yielding some early successes. 

Brendan Kelly, Senior Preceptor and Director of Introductory Mathematics, notes that one of the main objectives in Harvard’s Math preparatory sequence is to provide students with a consistent, cumulative experience so that each course effectively builds off prior ones, or hands off to subsequent ones. However, the COVID-19 pandemic brought about a unique challenge. Kelly and his team observed that course-by-course experimentation with assessments during this period resulted in inconsistencies across courses, and as a result students being inadequately prepared for higher level Math courses - in turn prompting a reevaluation of their approach.

Improving your pedagogy and enhancing student learning through team teaching


Stephanie Pierce and Mansi SrivastavaStephanie Pierce, Professor of Organismic and Evolutionary Biology, and Mansi Srivastava, John L. Loeb Associate Professor of the Natural Sciences co-developed a course for undergraduates with a goal of reaching a larger number of students and exploring similar sets of questions from different angles. They bring their expertise together in a novel course that truly represents the aims of integrative biology: How to Build an Animal. Pierce is a structural biologist and Srivastava is a developmental biologist. These two perspectives of animal biology are rarely taught in the same course, but they’ve found the lenses are complementary. The combination is intended to provide students with a robust foundation of knowledge or “springboard” that can help deepen their interest in integrative biology, as well as foster deeper engagement in upper level courses. Week to week, the course is structured as a modified flipped classroom. The first of two weekly class meetings features a lecture session directed by both professors that gives the foundation needed to participate actively in the second class meeting—a hands-on lab component centered on exposure to research techniques. The week culminates in a teaching fellow (TF)-led section focused on learning to read academic literature effectively. 

Engaging with the campus community


image of Shai DromiShai Dromi, Associate Senior Lecturer on Sociology (FAS), teaches courses on philanthropy, activism, and collective identity. Dromi frequently incorporates active learning exercises and collaborations into his courses. In his undergraduate course, Philanthropy and the Nonprofit Sector, he partners with a wide variety of Harvard offices, including Widener Library, the Department of Athletics, and the Harvard College Fund, to showcase examples of the course content. He finds that “Harvard is full of… pockets of people who are really excited to have people come visit them” and that students benefit pedagogically from getting to know their campus community better. 

Supporting Risk-Taking in the Classroom


image of Musa SyeedMusa Syeed, Briggs Copeland Lecturer on English, teaches screenwriting in the Creative Writing Program. Students are introduced to documentary and hybrid filmmaking in his course, Get Real: The Art of Community-Based Film. While learning about the technical and ethical considerations of creating a short narrative film or documentary, they also are challenged to effectively engage with their community in an intentional, responsible way that addresses issues of authorship and social impact. The Mindich Program in Engaged Scholarship helps with curriculum design and also funding support (for example, providing gift cards for community participants or funding a TA).

Encouraging equity through engaged scholarship


Flavia PeréaFlavia Peréa, Lecturer in Sociology (FAS) and Director of the Mindich Program in Engaged Scholarship, teaches Pursuing Truth and Justice: Principles and Methods of Equity Through Inquiry. This course aims to be “an example of what equity and inclusion can look like in the curriculum” both through the topics covered—for example, liberatory research methods, oppression, and structural injustice— and by supporting students “to be able to think about messy things, put out hard questions, and really wrangle with ‘what does it even mean for me as a student at Harvard to be doing this work’?”  

Collaboration with the Harvard Art Museums


Kaighin McCollKaighin McColl, Assistant Professor of Earth and Planetary Sciences and of Environmental Science and Engineering, is a hydrologist who extended his General Education course, Water and the Environment, beyond the science to include artistic representations of the impact that water has had on human life across time. After connecting with the Harvard Art Museums (HAM) at the Bok Center’s August 2019 Course Design Institute, McColl began collaborating with curators in 2020 to broaden the course, make it more engaging to a general audience, and challenge students to view the concepts learned in class in a different domain. He notes that he’s “a complete rookie when it comes to art,” but that HAM curators have been “very enthusiastic and helpful” figuring out ways to integrate the Museums’ collections into his course.

Developing cultural and linguistic competencies through music


Taiwo EhineniTaiwo Ehineni, Preceptor of African Languages, emphasizes the importance of “cultural frames” in language learning, or the ecologies in which the language is developed and used. “When students come to take my language class, it is an opportunity to introduce them to Nigeria.” One way this is accomplished is by using songs and music, which express culturally resonant ideas through creative uses of language. Ehineni teaches Yoruba as well as West African Pidgin. Class begins with students singing a song in Yoruba together while Ehineni plays the drums. Then they generate a vocabulary list based on the song they sang together, examine the grammatical use of the word in the lyrics, and look up the meaning.... Read more about Developing cultural and linguistic competencies through music

Exploring creativity in the (virtual) classroom


David Atherton, headshotDavid Atherton, Assistant Professor of East Asian Languages and Civilizations, taught Creativity, a general education course which explores the nature of creativity and the role it plays in our lives, remotely in spring 2021. The course was originally designed before the COVID-19 pandemic and was proposed in response to undergraduate students’ desire for more creative expression, spaces for reflection, and connections to their personal lives in the classroom. “Once the pandemic hit, the goals felt more critical than ever.” Atherton and a team of teaching fellows collaborated with the Bok Center to design the course, grounding it around four core questions. Every week, students were given a creative assignment coupled with an analytic reflection about how their creation connected to the course readings. The course’s capstone project invited students to apply the course themes and create something that would impact someone in their lives, beyond the context of the course. Students included a final reflective essay that explained their project goals.

Witnessing and practicing open-minded conversation


Aravinthan D.T. SamuelAravinthan D.T. Samuel, Professor of Physics, created The Science of Optics in the Visual Arts, an interdisciplinary freshman seminar that explores the mystery behind Renaissance-era innovations in realism that reached the standard of modern photography long before the camera. Samuel took advantage of the virtual classroom to bring world experts into the Seminar. “We ‘Zoomed’ to museums around the world including the Victoria and Albert Museum in London and Mauritshuis in the Netherlands.” Students spoke with curators at the very museums that hosted artworks discussed in class and asked world experts about the methods and practices of artists including Vermeer, Ingres, and Van Eyck. “Together, we learned that the answers to many questions are uncertain because of gaps in the historical record. Historians of art and historians of science are continuing in debates that may very well last forever.” For Samuel, the class was a safe space to witness expert debates and examine questions from all points of view. “Settling debates would be terrific. But many debates are perennial with people on all sides. If students can nevertheless gain an appreciation of why someone with a particular background or set of experiences holds another contrasting view, they learn the more important art of intellectual empathy that will be useful in any academic pursuit.”... Read more about Witnessing and practicing open-minded conversation

Shifting STEM culture


Robin GottliebRobin Gottlieb, Professor of the Practice of Teaching Mathematics, aims to make mathematics accessible and exciting to all students in each of her courses. “When students come to Harvard, they have very different but set ideas of what happens in the classroom,” Gottlieb explains. “In many high school math classrooms, the dominant cultural norm is an ‘I do, you do, we do’ model. The teacher is expected to tell you what to do. One of my main objectives is to shift the culture of the classroom so that students become mathematical thinkers.” Gottlieb works alongside colleagues on the preceptor team to construct classrooms in which students actively participate in the development of ideas. Inspired by colleagues’ such as Eric Mazur’s active learning and John Asher Johnson’s Tao of TALC, Gottlieb has students spend more time working on problems together in groups at the blackboard, reflect actively on questions and lessons from daily problem sets, and co-build community norms around supportive teamwork. Through group work, Gottlieb has developed mathematics classrooms that are more welcoming, active, and empowering places of learning. 

Learner-centered Pedagogy for Skill-building


Christina WarinnerChristina Warinner, Associate Professor of Anthropology, empowers students to explore real-world, thorny topics in science that also have widespread social implications through course work and guest speakers. She brings her own experience as an interdisciplinary researcher to the classroom and directly supports students as they delve into more complex material and learn how to navigate the hidden curriculum (norms of the discipline). Her students practice grappling with interdisciplinary dilemmas in realistic ways. “I want each assignment a student does to be both knowledge-building and skill-building,” she explains. Her courses attract students from both the humanities and sciences, creating a more intellectually diverse learning environment.... Read more about Learner-centered Pedagogy for Skill-building

Teaching system-level thinking with an interdisciplinary lens


Fawwaz HabbalDoris SommerFawwaz Habbal, Executive Dean for Education and Research and Senior Lecturer on Applied Physics, and Doris Sommer, Ira Jewell Williams, Jr. Professor of Romance Languages and Literatures and of African and African American Studies, co-teach systems-level thinking. Their course, Aesthetic Pleasure and Smart Design: Janus Faces the Future, trains students to look at complex problems from the perspective of both artists and engineers. This requires the development of skills in scientific assessment and disinterested aesthetic judgment. In the spirit of Renaissance Now, an international movement to promote sustainable development, Habbal and Sommer model the combination of boldness and humility. Students in ES 27 read and reflect on material which ranges from aesthetic philosophy and history to triggers for scientific revolution. Then they tackle a complex problem through a proposal that will gain aesthetic acceptance and be scientifically effective. 

Enhancing learning through an alternative (and immersive) classroom


Nicole MillsNicole Mills, Senior Preceptor in Romance Languages and Literatures, helps students grasp the French language and experience the culture through “alternative classroom contexts.” Specifically, students participate in virtual reality (VR) experiences alongside the curriculum. During the first week of the semester, students immerse themselves in the daily lives of four different Parisians from the same quarter through a series of 360 VR videos that were self-recorded by the Parisians themselves. They then partner to challenge stereotypes of Parisian culture and compare observations and findings. For remote learning, Mills added both amateur and professional VR films showcasing Parisian life with accompanying tasks. These VR experiences are mediated by one-on-one 30-minute discussions with Parisians designed to both develop interactional competence and encourage the discovery of cultural phenomena. VR can transport students to culturally immersive experiences that are otherwise impossible given COVID-19 travel restrictions.

Empowering students to develop research skills


Terence D. Capellini standing next to a human skeletonTerence D. Capellini, Richard B Wolf Associate Professor of Human Evolutionary Biology, empowers students to grow as researchers in his Building the Human Body course through a comprehensive, course-long collaborative project that works to understand the changes in the genome that make the human skeleton unique. For instance, of the many types of projects, some focus on the genetic basis of why human beings walk on two legs. This integrative “Evo-Devo” project demands high levels of understanding of biology and genetics that students gain in the first half of class, which is then applied hands-on in the second half of class. Students work in teams of 2-3 to collect their own morphology data by measuring skeletons at the Harvard Museum of Natural History and leverage statistics to understand patterns in their data. They then collect and analyze DNA sequences from humans and other animals to identify the DNA changes that may encode morphology. Throughout this course, students go from sometimes having “limited experience in genetics and/or morphology” to conducting their own independent research. This project culminates in a team presentation and a final research paper.

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